Wednesday, February 25, 2009

Brazilian Wax Heart Shape

Cosquín Rock 2009 - Day 1

Everything was ready: the property, safety, drinking, burgers, bands. On outside breathed the festive atmosphere that had the Comuna San Rock on 20, 21 and 22 February . Is that the country's federal festival, the festival of mountain, was beginning, and the string of artists began filing down the Rock Cosquín 2009.


The first day started rainy and everything appeared to be planning to repeat the same thing last year (rained the 3 day festival). But the downpour was cut and did not appear throughout the day, giving rise to a great day to enjoy the music.

Volador G kicked off with a short but powerful show which started later than anticipated by the organization, and was followed Rescue, the Christian band that is increasingly further away from that label and makes clear that the rock is your thing.

Then something strange happened: Motor Loco, which was announced on the grid, it took the stage and instead did Massacre, but people see that much did not care and enjoyed the presence of Wallas and company who were responsible for organizing the first mosh pit of the festival, with songs like The Oc tava Wonder, Divorce, The Queen of Mars and Sofia, the super vedette . Among the many things he said, Wallas was the first to name the deceased Aleja ndro Boc has Sokol, to whom he dedicated the song Crua-chan of Supreme . Before shot: "said the Yankee press Massacre should be banned and censored ... by fucking " .


definitely

But who lit the fuse the festival, who brought the audience to dance and sing until the hoarseness, and who also gave the boys the first possibility of raising a girl on his shoulders, were Pills d the Grandpa. His repertoire was based on hit after hit, with songs from their 3 albums and a close to pure dance Candombe La Casa da . At one point, while the voice of Piti Fernandez sang the verses of Another twist, could be seen on screens arranged on the sides of the stage like a girl who sang to the beat of his idol would fall a few tears. That picture is worth a thousand words to describe what The Pills generates in his audience.


Late in the nochecita, Andrés Jiménez took the stage to perform two songs from his new band D-Mind, two and only two because then he submitted the eternal aeon L Gieco , who was in charge of blowing up, sing and move to tears each present with their biggest hits: 5 Cent For (juanto A. Jiménez ) Memory , The Canterville Ghost, thinking of nothing and I only ask of God , among others. Le ng was attended by D-Mind from the middle of the show until the end of it, and people take it so well this part of the initiative that putting together a great round Nothing Thinking , rare in a show of Gieco, but if the rock, welcome.

point aside for the presentation of the film tail "World Wing" , the story of a group of disabled artists Leon Gieco directed and also invited to climb to play some songs with him.



Catupecu Machu long been stationed as one of the loudest bands of Argentine rock, and confirmed once again. Along with Wallas in Plan B: Satisfaction and Desire Germain Daffunchio in Poison Magic , Fernando Ruiz Diaz (who named the estate as "The Happy Mountain Plaza" ) Strong stepped on stage while people Cosquín "treading without soil."


However, if there is an apparatus for calculating the four girls screaming

ndo Adrian Dargelos appears on stage, was broken in that same time to support not much buzz. Is that Babasónicos undertook to throw a glamorous night rocanrolera with issues such as the ido (who opened the show), what?, Irresponsible, Pajamas, Charismatic, Mare, Pendejo and Putita , etc. . Microdancing rang the Comuna San Rock became a dance dance which closed its doors after So speaking, a subject with which The Bab a goodbye to the festival.


But the main course was ready, and uncertainty about whether this presentation would be the last Cosquín or not Intoxicados , come to an end. Past the midnight Pity took the stage accompanied by the same group that did in Mar del Plata, and after an introduction by recalling childhood vacations, threw in the phrase that many were waiting for: "Intoxicated is going to take a holiday . The need to ". From there, just enjoy the last concert was intoxicated and Alvarez onstage, at least another year and a half.

But unfortunately the show will not be remembered as one of the best, at least in regard to how the band sounded as having no time to rehearse (it is said that Pity came to Córdoba collapsed in a remis it left at the door of the stage) the band took much longer to settle, and the issues that were happening sounded sloppy. So for example passed I hope life, Bitch, The craft, Fire, Back home, what will you do so alone today? and Reggae for friends, songs that never ends or cut very sharply, if not suffered a change in the lyrics.

But if it will show remembered for a very special guest: Skay Beilinson , guitarist Patricio Rey and Ricotta Redonditos , Cordoba went on stage to build a nice bluesy-funky jam session with the band, and then released with Things not want to play Rock and best of the night no doubt.



People, meanwhile, understood that this was the last time they would see the band live, so do not care what the show misaligned and dedicated singing, jumping, waving flags and screaming so has been: "Oooh, let 'Old lOOo ...."



Federico Argiles


Sunday, January 11, 2009

Northface Outlet Locations Nj Northface Outlets?

Llibert Fortuny i Cendra


Llibert Fortuny i Cendra

Born in Las Palmas de Gran Canaria, born shortly after he moved with his family to Catalonia where his parents are from. Finishes his studies from secondary Classical Music with Toni Vidal, the season 96-97. He also attends classes with James Badrena Modern Music. When he finished his studies in 1997 at the Music Conservatory of Manresa, is awarded by the Berklee College of Music with a European scholarship. In Boston he studied with Shannon LeClaire, Ed.Tomassi, Hal Crook, Phil Wilson, Greg Hopkins, Ken Cervenka and Bill Pierce, among others.
In 2001 he returned to the United States to Barcelona and founded his first band, "Fortuny Quartet Llibert" incorporating the same to excellent musicians such as David Mengual on bass, Albert Bover Miralta on piano and Marc on drums. With that training he recorded his first album entitled: "A circus without lions" New Media in 2004 and has the support of Perico Sambeat the alto and soprano. Earlier in 2002 he received the award for best jazz musician in the Jazz Musicians' Association of Catalonia and modern music. Again in 2004 received a major boost in his career when he was named by the critics, best interpreter of jazz awarded the Porret Puig. Lately, he has played in the Boston scene. The style of the quartet was collected from bebop to hard bop with influences of the cool period. Live interpret their own versions of standards and songs.
currently still looking for new ways to address their training, "Llibert Fortuny Electric Quartet" a group formed by David Soler (guitar), David Mengual (bass), Daniel Dominguez (drums) and Chem Puigtio (sound and effects). With that training he performed in jazz festivals in Terrassa and Barcelona and was Resson winning Jazz Circuit held in autumn 2004. Llibert Fortuny is a great reality of the English jazz and has an impeccable technique and a strong sound. Web

Llibert Fortuny

Saturday, November 22, 2008

Chest Pain And Funny Taste In Mouth

Historia de la Bateria


Battery born in early S. XX. The main constituent elements (drum, box, dishes, ...) existed in classical orchestras and military fanfares. The appearance of the battery is directly connected with the emergence of Jazz, although the technology gap that existed at the beginning of the century.
Towards 1910 in United States, the orchestra played with 3 and 4 percussionists (one for the box, one for the kick and the other for different items such as dishes, Chinese boxes, etc..) Or only two if played fanfares. The invention of the box and walk mostly hype foot (marketed in 1910 by Ludwig) can assemble the different elements to be touched for less than instrumentalists. The arrival of Ragtime and the need of musicians for the dance halls, make it necessary to finish the assembly of the battery, where one performer played all the above elements.
At this time, the role of the battery was to follow and keep pace with fanfare, but with a style Music is very similar to military marches, drummers drum rudiments used the classic but with a different phrasing, directly inspired by the orchestras of stops (rolls less rigid, syncopation and accents in just the first time.